TheComicBookMaster

Satoshi Kon was an acclaimed director, animator, and writer of what many consider to be some of the absolute greatest films to ever be made in the genre of anime in Japan who sadly passed away in 2010, but before that happened, Satoshi Kon made an animated major motion picture adaptation of Yasutaka Tsutsui's 1993 novel Paprika released in 2006 from animation studio Madhouse, and sharing the same name of the book as the movie adaptation is too also called Paprika (which is Satoshi Kon's last film before his passing). In order for me explain what the plot of Paprika is mostly about without giving too much of it away to those who haven't checked it out yet, Paprika is a techno-thriller psychological sci fi story about the hunt for a criminal who has stolen a prototype device called the DC Mini, and is using it to negatively affect the minds of others by manipulating their dreams which causes them to behave mentally insane. To help with the investigation, Doctor Atsuko Chiba uses her

Zillafoot is an independent giant monster kaiju low-budget B-movie directed & written by Anthony Polonia, produced by Ron Bonk, and released on home video by SRS Cinema in 2021. While it is solely an American production made in the United States Of America (USA), Zillafoot is also a cinematic homage, tribute, and love letter to the overall Tokusatsu genre in general, with a dash of satire & parody thrown into it (which does add to the film’s ironically entertaining charm). A first glance similar to Brett Kelly’s Konga TNT (also from SRS Cinema), Zillafoot gives off the first impression of being a film of extremely low quality due to how cheaply it was made, but just like Konga TNT, Zillafoot’s badness is what makes the movie enjoyable (as a guilty pleasure just to clarify), but because of its respect for all things related to Tokusatsu, lighthearted tone, and self-awareness to the point of poking fun at itself, Zillafoot is able to avoid being categorized as a Z-movie, and it instead